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Work to Rule/ Worker Rule (1980)

A wall 8 foot high and 42 feet in length was fitted with ten standard plywood doors 6’8” x 32”. Doors and jambs alternated left and right throughout the length of the wall. Wall and doors were painted a matt white. Standard hardware (hinges, door handles and strikes) were employed throughout. The wall was arranged in the space in such a way that either side could be independently viewed from most given points in the space. Two weeks prior to the opening of the exhibition, two advertisements were placed in the job listings section of Toronto’s two major daily Newspapers, the Sun and the Star. The Star’s advertisement requested that a retired professional sign painter, wishing to work for a two to five day period painting a sign, contact the organizers of Warehouse 222 exhibition. The Sun advertisement requested that a professional sign painter presently unemployed contact the organizers. In individual interview sessions, both painters were given the opportunity to work either for a fixed hourly rate commensurate with the average hourly wage for a sign painter in the employ of a company, or to offer a quote for the work to be undertaken. Each painter chosen was given a work description outlining the task and the method to be employed. Two slogans Work to Rule and Worker Rule were painted one letter to each door, one slogan either side of the wall. The painters began on the first day of the exhibition and worked from left to right. 

Work to Rule/ Worker Rule 1980/2008, Te Tuhi Centre for the Arts, Manukau City, New Zealand.  Photographer John Collie; Curators Emma Bugden and Stephen Cleland; Technician Murray Green; Senior Sign Writer Terry Maitland; Apprentice: Maree Quinn

1972 UD, UDS: An Exercise in Myth Formation, (Limited Edition) Auckland, N.Z.

1975 On the Stocks Companion text for the Performance Installation Stocks and Bonds, Auckland City Art Gallery Auckland, N. Z.

1976 Whittler's Soliloquies Companion text for the Installation/performance Experimental Arts Foundation Adelaide, Australia.

1977 La detente: un exegese d'un cliche politique. French/English Companion text for the performance installation La Detente 10th Paris Biennale, Paris, France

1981 “Audience Arrangements” in A Book Working (eds) Greyson, J., Guest, T., et al Toronto, A Space publication.

  1. Readings Companion Text for Reading Room Installation St Mary's University Art Gallery, Halifax, N.S.
  1. Novelsquat. On line novel produced with the collaboration of approximately 50 authors CD version and web version

2004 Strictly Confidential (one year collection of email messages requesting money laundering services, CD version and limited edition hardbound 100pp.) Halifax, N.S.

2017-18 I/Oeil/Auge/Eye A unique bookwork

Excision/Accession A unique bookwork

 

 

1973-74  Bucket Action (I & II) Keri Keri, Auckland 1/2" b&w 40 mins      (Performance document) (Pal)
1974 Handgame 1/2" b& w 30 mins silent (Video installation tape) (Pal)
  A Friend in Need is a Friend Indeed 1/2" and 3/4 " 40 mins. b&w  (Pal  & NTSC optical dub)
1975 Journey (Auckland - Waitakere) 1/2" b&w 30 mins. (Performance tape Like A  Bat Out'a Hell) (PAL)
1975  Box and Cox Workout 1/2" b&w 30 mins (Installation/Performance  tape) (PAL)
1976   Journey II (Halifax - Truro) 1/2" b&w dub 3/4" b&w 30 mins      (Performance Like a Bat and Function and installation tape) (NTSC)
1977 Revolve 3/4" colour 40 mins (Performance Rehearsal document)       (NTSC)
1979   3/4" colour 3 X 20 mins  (Performance rehearsal tape Documents)     (NTSC)
  Latin Politics 3/4" colour 10 mins (NTSC)
  Trident 3/4" colour 10 mins (NTSC)
1980  Function Part I 3/4" b&w 26 mins (Performance Rehearsal Document)     (NTSC)
1982  Agit Lecture #3 Poster Packing 3/4" colour 10 mins (Banff centre Document) (NTSC)   
1984  United Technologies: An Analysis 3/4" colour (Compilation-Discussion tape) (NTSC) (VHS Dubs)
1987  Remembering Vietnam, Again 1/2 VHS 120 mins (Detourned Drama-Oliver Stones' Platoon Installation Discussion tape) (NTSC)
1989  Polska Na Wiosne/Poland in Spring (Detourned Documentary)
1993-4 Philippines Documents: Melvin Adlao Artist
1999   Squat with Squat (wri) ter Katherine Grant
2000 Box Set of 13 video tapes Bruce Barber Films and Videos 1972-2000    (NTSC VHS and DVD)
2004 Diddly Squat (Three works about money for the 7a*11d performance festival about money)       Toronto DVD 60 minutes.
  Diddly Squat 2 Newcastle, Australia DVD 60 mins
2004   Party without Party rm 103 documentation DVD 15 mins
2010 24 Hour Hollis Timelapse video for Nocturne MP4 10 minutes 
2012 24 Hour Brunswick Timelapse video with music by Keith Karding for Nocturne MP4 10 Minutes on Vimeo
2014-15 Spectres of Marx timelapse (RED camera) performance installation Venice Biennale Palazzo Mora May 8th –November 22nd 2015 and Window Projection Anna Leonowens Gallery 3 Halifax, Nocturne, October 2015
2017 Unpacking my Library (With apologies to Walter Benjamin) time-lapse (RED camera) performance installation 12 minutes Mp4
2018-19

Bertrand Russell Reading Room McMaster Museum of Art. 
4 Videos, the last not exhibited:
The Bertrand Russell Reading Room: Russell NYC time-lapse Trace 5 minutes Mp4
The Bertrand Russell Reading Room I Swear Take #2 (still shot videos 5 minutes Mp4)  Also screened at the 13th Florence Biennale in 2021 and awarded Video Arte, Terzo Premio "Lorenzo Il Magnifico" 31st October 2021
Bertrand Russell Reading Room Jail Door 3 minutes Mp4
Bertrand Russell Reading Room Russell Portraits and Statements (still shot Mp4 videos)

 2023 

2024- 25

 I Am An Other to Myself  8 minutes Mp4 Florence Biennale  XV Biennale Internazionale 

BB Cry 1 second Mp4 One-Off Moving Image Festival, curated by Bjorn Magnhildoen, November  https://neomata.net/one-off/

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1974 
Pavilion K Environmental and Performance Works Epsom Exposition grounds, Auckland N.Z. with Jim Allen.
1983
Appropriation/Expropriation Exhibition Mount Saint Vincent University Art Gallery, Halifax, N.S. Co-curated with Jan Peacock. (Catalogue)
1984-5
Halifax/Auckland Exchange Exhibition with David Craig Eyelevel Gallery and the Centre for Art Tapes Halifax, N.S., October 1985. (Catalogue)
1987  
A Decade of Video at NSCAD, Centre for Art Tapes (Co- curated with Bruce Campbell and Jan Peacock), Halifax, N.S.
1988
Two Countries/Two Cities Halifax/Lublin Exchange Centre for Art Tapes and Eyelevel Gallery (Co-curated with Bruce Campbell, Jim McSwain and Ingrid Koenig
1994
Conceptual Art: the NSCAD Connection 1967-1973 Anna Leonowens Gallery, Halifax, N.S. (Catalogue)
2003
“NSCAD Film and Video 1968-2004” Anna Leonowens Art Gallery I, NSCAD U (List Catalogue)
2006
“NSCAD The 80’s” Anna Leonowens Art Galleries, 2&3 NSCAD U (Web PDF Catalogue)
2008 
“The Newcomer Artist Project” Anna Leonowens Gallery Annual   Metropolis Conference 2008
http://community.smu.ca/atlantic/newcomerartistproject/index.html
 2012  Artists and NSCAD In house Curator for Artists in Residence for Duncan Macdonald and Ursula Nistrup with Trine Sorensen (Copenhagen) Summer 2012 ALG 2 (BB provided the introductory essay and interview for catalogue).